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film by Michael Mann

Ali is a American biographicalsportsdrama film co-written, produced and directed by Michael Mann. The film focuses on ten years in the life of the boxer Muhammad Ali, played by Will Smith, beginning with his capture of the heavyweight title from Sonny Liston in and ending with his reclaiming the title from George Foreman in the Rumble in the Jungle fight of

The project began in when producer Paul Ardaji optioned the movie rights to Muhammad Ali's life story.

In , Ardaji visited Ali on his 50th birthday and persuaded him to allow a film to be made about his life. Nearing the end of his option period, Ardaji signed a contract with Sony Pictures, joining forces with producer Jon Peters as producing partner. In February , it was announced that Mann had taken over as a director, following his Academy Award nomination for The Insider.

Filming began in Los Angeles on January 11, , on a $ million budget, shooting took place in New York City, Chicago, Miami, and Mozambique.

Ali was well received by critics, but was a box-office bomb, grossing just $87 million against a production budget of approximately $ million. Will Smith and Jon Voight received Academy Award nominations for Best Actor and Best Supporting Actor, respectively.

Plot

Before his championship debut against the heavyweight champion Sonny Liston, Cassius Clay Jr. taunts Liston then dominates the early rounds of the match. Halfway through, he complains of a burning feeling in his eyes (implying that Liston has tried to cheat) and says he is unable to continue.

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His trainer/manager Angelo Dundee gets him to keep fighting. Once Clay sees again, he dominates the fight and Liston quits before round seven, making Clay the second-youngest heavyweight champion at the time after Floyd Patterson.

Clay spends time with Malcolm X and is invited to the home of Nation of Islam leader Elijah Muhammad, where he is given the name Muhammad Ali, much to the disapproval of his father, Cassius Sr.

Ali marries Sonji Roi, an ex-Playboy Bunny, although she is not Muslim and does not abide sex segregation. Ali goes to Africa and meets up with Malcolm X, but later refuses to speak to him, honoring the wishes of Elijah. He is distraught over the assassination of Malcolm X.

Upon returning to America, Ali fights Liston a second time and knocks him out in the first round.

He and Sonji divorce after she objects to various obligations Muslim women have.^[3]

Ali then refuses conscription for the Vietnam War and is stripped of his boxing license, passport, and title, and sentenced to five years in prison. After marrying year-old Belinda Boyd and a three-year hiatus from boxing, his conviction is overturned in Clay v.

Movies based on biography ali mc williams The film consists largely of archival footage of Ali's boxing matches used in the screenplay. Muhammad Ali. Ali then refuses conscription for the Vietnam War and is stripped of his boxing license, passport, and title, and sentenced to five years in prison. Running time.

United States, and in his comeback fight, he goes against Jerry Quarry and wins by technical knockout in three rounds. Ali attempts to regain the heavyweight championship against Joe Frazier. In the "Fight of the Century", Frazier generally has the upper hand against Ali and wins by decision, the first loss of Ali's career.

Frazier later loses the championship to George Foreman.

Foreman and Ali go to Kinshasa, Zaire, for the Rumble in the Jungle fight. There, Ali meets Veronica Porché and has an affair with her. After reading rumors of his infidelity in newspapers, his wife Belinda travels to Zaire to confront him. Ali says he is unsure whether he loves Veronica, but is focused solely on his upcoming title shot.

For a good portion of the fight against Foreman, Ali leans back against the ropes (Rope-a-dope) allowing Foreman to tire himself out. He then knocks out the exhausted Foreman, regaining the Heavyweight Championship.

Cast

Production

The project began in when producer Paul Ardaji optioned the movie rights to Muhammad Ali's life story.

In , Ardaji visited Ali on his 50th birthday and persuaded him to allow a film to be made about his life.^[4] Nearing the end of his option period, Ardaji signed a contract with Sony Pictures, joining forces with producer Jon Peters as producing partner. Producer Jon Peters started developing the film in ^[5]Gregory Allen Howard wrote the initial draft of the script, which had the working title Power and Grace.

Howard's draft focused on Ali's life from 12 to 40 years old, and his relationship with his father.^[6] Howard was replaced by writers Stephen J. Rivele and Chris Wilkinson, and by the biopic was set up at Columbia Pictures, with Will Smith attached to star and the possibility of Ron Howard directing.^[7] During the filming of Wild Wild West, Smith presented director Barry Sonnenfeld with the script.

Columbia was hoping for filming to start towards the end of ,^[8] but it was pushed back, and Sonnenfeld exited in November It was speculated that Columbia was hesitant to move forward with Sonnenfeld following the disappointing box office performance of Wild Wild West.^[9] In February , it was announced that Michael Mann had taken over as director, following his Academy Award nomination for The Insider.

Prior to Mann's involvement, Spike Lee had been in negotiations to direct the film, feeling that only a black man could do justice to Ali's story.^[10] Smith, however, preferred Mann, who turned down the opportunity to direct early versions of The Aviator, Shooter and Savages to commit to Ali,^[11] and brought Eric Roth on to co-write the script.^[12] After years of being attached to the Ali biopic, Smith officially signed on in May with a $20 million salary.^[13]

Filming began in Los Angeles on January 11, , on a $ million budget.

Shooting also took place in New York City, Chicago, Miami and Mozambique.^[14]

Smith spent about one year learning about Ali's life. These included boxing training (up to seven hours a day), Islamic studies with Wiljah Akbar, and dialect training. Smith has said that his portrayal of Ali is his proudest work to date.^{[citation needed]}

One of the selling points of the film is the realism of the fight scenes.

Smith worked alongside boxing promoter Guy Sharpe from SharpeShooter Entertainment, and his lead fighter Ross Kent, to get the majority of his boxing tips for the film.

Movies based on biography ali mc johnson Cassius Clay is a boxing documentary film about the former heavyweight champion Muhammad Ali. Loaded in 0. Young Ali vs. In Mann created a third cut, significantly re-editing the film in the wake of Ali's death.

All of the boxers in the film are former or current world heavyweight championship-caliber boxers. It was quickly decided that 'Hollywood fighting'—passing the fist (or foot) between the camera and the face to create the illusion of a hit—would not be used in favor of actual boxing. The only limitation placed upon the fighters was for Charles Shufford (who plays George Foreman).

He was permitted to hit Smith as hard as he could, so long as he did not actually knock the actor out.

Smith had to gain weight to look the part of Muhammad Ali.^[15]

Reception

Box office

Ali opened on December 25, , and grossed a total of $ million in 2, theaters during its opening weekend.

The film went on to gross a total of $ million worldwide.^[1]

Due to its high production and marketing costs, the film ended up losing Columbia Pictures as much as $ million. The film's failure was partly due to its competition with The Lord of the Rings: The Fellowship of the Ring.^{[citation needed]}

Critical response

On review aggregator website Rotten Tomatoes, Ali holds an approval rating of 68% based on reviews, with an average rating of / The site's critics consensus: "Though perhaps no film could fully do justice to the fascinating life and personality of Muhammad Ali, Mann's direction and Smith's performance combine to pack a solid punch."^[16] On Metacritic, the film has a weighted average score of 65 out of , based on 39 critics, indicating "generally favorable reviews".^[17] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.^[18]

Roger Ebert derided the film with two stars in his review for the Chicago Sun-Times, and mentioned, "it lacks much of the flash, fire and humor of Muhammad Ali and is shot more in the tone of a eulogy than a celebration".^[19] In Variety magazine, Todd McCarthy wrote, "The director's visual and aural dapplings are strikingly effective at their best, but over the long haul don't represent a satisfactory alternative to in-depth dramatic scenes; one longs, for example, for even one sequence in which Ali and Dundee discuss boxing strategy or assess an opponent", but he did have praise for the performances: "The cast is outstanding, from Smith, who carries the picture with consummate skill, and Voight, who is unrecognizable under all the makeup but nails Cosell's distinctive vocal cadences".^[20]USA Today gave the film two and half stars out of four and stated that, "for many Ali fans, the movie may be good enough, but some perspective is in order.

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Cassius Clay and the Oscar-winning When We Were Kings cover a lot of the same ground and are consistently more engaging".^[21]

In The New York Times, Elvis Mitchell proclaimed Ali to be a "breakthrough" film for Mann, adding that it was his "first movie with feeling" and that "his overwhelming love of its subject will turn audiences into exuberant, thrilled fight crowds".^[22]J.

Hoberman, in his review for the Village Voice, felt that the "first half percolates wonderfully—and the first half hour is even better than that. Mann opens with a thrilling montage that, spinning in and out of a nightclub performance by Sam Cooke, contextualizes the hero in his times", and concluded that, "Ali's astonishing personality is skillfully evoked but, in the end, remains a mystery".^[23]

When Ali died on June 3, , Smith was chosen to be one of Ali's pallbearers for the memorial service in Louisville.

Accolades

Alternate versions

Ali was released theatrically in at a length of minutes; this version was released on DVD in ^[31] Mann then re-edited the film, creating a new Director's Cut that ran minutes and was released on DVD in ;^[32] approximately 4 minutes of theatrical footage was removed, while 14 minutes of previously unseen footage was inserted.^[33] The Director's Cut also featured an audio commentary by Mann

In Mann created a third cut, significantly re-editing the film in the wake of Ali's death.

He deleted one fight and added scenes and footage focusing on the political side of Ali's life.^[34] This version runs minutes and was released in on Blu-Ray as the Commemorative Edition.^[35]

See also

References

External links